

Spring 2014: Kiss Me, Kate
Music and Lyrics by Cole Porter & Book by Samuel and Bella Spewack
Based on Shakespeare's play: The Taming of the Shrew
The story involves the production of a musical version of William Shakespeare's The Taming of the Shrew and the conflict on and off-stage between Fred Graham, the show's director, producer, and star, and his leading lady, his ex-wife Lilli Vanessi. A secondary romance concerns Lois Lane, the actress playing Bianca, and her gambler boyfriend, Bill, who runs afoul of some gangsters.
Pops (Stage Doorman)/Padua Priest
Hattie
Paul
Ethel (Stage Manager
Lois Lane/Bianca
Bill Calhoun/Lucentio
Lilli Vanessi/Katharine
Grace (Dance Captain)/Gregory
Fred Graham/Petruchio
Harry Trevor/Baptista
Earl (Cab Driver)/Nathaniel
First Man
Second Man
Raymond/Gremio
Bernard/Hortensio
Evelyn/Philip
Minnie (Driver for Gen. Howell)/ Haberdasher
General Harrison Howell
Ruby (Aide to General Howell)
Riley (Aide to General Howell)
Frances (Wardrobe Lady)
Thelma
Stella
Patrick Rasmussen
Jessica Muse
Jordan Best
Elena Anderson
Katherine Kettler
Ben Bott
Rachel Steiner
Staten Longo
Noah Sauber
Shade Wilson
Alex Cutting
Patrick Bond
Kolya Rabinowitch
Juwan Palmer
Vijay Menon
Katie Penland
Addie Eliades
Brady Mabe
Roshni Gorur
Carrie Leon
Caroline Werenskjold
Coco Kubicki
Karin Saengchawalit
Cast
Pit
Violin
Cello
Bass
Flute
Oboe
Clarinet
Saxophone
French Horn
Trumpet
Trombone
Piano
Drums
Percussion
Chichi Li
Lexi Luo
Mercedes Zettlemoyer
Emily Kline
Garrett Spencer
Tanya Akl
Katie Leber
Will Dickinson
Andre Gruebele
Stephen Nam
Sam Mahone
Charlie Sheehan
Chris Wiens
Will Grayeski
Allen Wong
John MacLaughlin
Penny Williams
Niki Hua
Rebekah Kim
Joe Fitzsimmons
Shaun Spisak
Tech Staff
Set Designers
Assistant Set Designer
Assistant Technical Directors
Stage Managers
Master Carpenters
Assistant Carpenters
Carpentry Advisor
Head Lighting Designer
Assistant Lighting Designers
Master Electricians
Assistant Electricians
Head Painters
Assistant Painters
Sound Designer
Assistant Sound Designers
Sound Managers
Head Costumers
Assistant Costumer
Head Hair and Makeup Designer
Assistant Hair and Makeup
Run Crew Chiefs
Annie Archer
Sean Lyons
Blair Wriston
Emily Adam
Dan Barr
Angelica Botlo
Maia Foster
Brittany Hacker
Maddy Brehaut
David Silverman
Jeremy Jones
Bridget Shayka
Sean Lyons
Quinn Gomola Mullin
Nancy-Wren Bradshaw
Chloe Downs
Rich Farella
Jackson Simon
Owen Sheng
Brendan Rogers
Michaela Bubier
Jamie Shalvey
Kelsie Hendren
Nora Walls
Madi Lahey
Adrianna Taweel
Sara Henein
Kelsey Keverline
Alexandria Rodgers
Katherine Donnally
Sophia Socarras
Ria Witteman
Carrie Bohmer
Julia Holland
Catlin Muir
Whiz Whisnant
Eliza Lane
Emily Nelson
Director
Assistant Directors
Vocal Directors
Choreographers
Pit Director
Theresa Pazanowski
Joe Folds
Daniel Owen
Laura Holshouser
Jacob Irby
Kelsie Zipprich
Melissa Boice
Ashley Houze
Natalie May
Carly Sawyer
Kyle Ruempler
Artistic Staff
Production Staff
Producer
Assistant Producer
Business Manager
Assistant Business Manager
Publicity Chair
Fundraising Chair
Social Chairs
Historians
Alumni Chair
Technical Director
Katie Thompson
Patricia Ona
Jared Morgan
Travis Buhl
Alexis Greenberg
Emily Perego
Vondrae McCoy
Nick Mattia
Jason Steckler
Jodie Benjamin
Mary Jane Gilliland
Anne Jordan
Ashley Gilroy
Director's Notes
When I gathered the cast and artistic staff of Kiss Me, Kate together for the first time, I told them I had two goals for this production. The first was to push everyone involved in the show, including myself, to do something that scared them and help them overcome those fears. The second was to make this show as much fun as it could be, a true celebration of theatre for us as well as the audience. I can only speak for myself, but almost three months later I believe we have accomplished both of these goals.
For a musical comedy, Kiss Me, Kate can seem rather complex. There are intricate backstories between characters, Shakespearean text intermingling with modern speech, a show within a show within a show, and song lyrics by the great Cole Porter, the king of sophisticated rhymes and double meanings. All of this is part of what makes this such a brilliant and fun show. However, underneath all these complexities exists a beautiful simplicity. The characters love each other despite their flaws, and in the end that is all that matters. The ensemble sings and dances for its own enjoyment while the audience just happens to be watching. Most importantly, everyone in the show makes up an ensemble of people working for a common goal, and despite the individual conflicts, everyone really is in it together.
The process of putting together this show has been such a crazy ride, but I would not have traded this experience for the world. It has been so much fun, and I sincerely hope that everyone else involved in the production feels the same. To my insanely talented cast and my unbelievably wonderful a-staff: as much as everything I have done along the way has been for you guys, this never would have happened without you, so thank you for taking the leap with me. I am so proud of all of you, and I hope you really did overcome that fear as I overcame mine.
And with that, it’s time for another op’nin of another show…
-Theresa Pazanowski
Producer's Notes
I originally joined First Year Players as a first year that enjoyed musical theater, but I was looking for a position with a small time commitment. Little did I know I would find my home with FYP and eventually become the Producer of this fantastic organization. Throughout my past three years with FYP, I have seen bits and pieces of the dedication and talent that it takes to put on a show. This semester, however, I witnessed the amount of hard work that goes into putting on a show from all aspects, from late nights painting in the Student Activities Building (the concrete warehouse you are all sitting in) to the long and strenuous cast and pit rehearsals, to planning fundraising events, and everything in between.
I would like to take this opportunity to express my overwhelming gratitude for those who made this show possible. First and foremost, I’d like to thank our Business Manager, Jared Morgan. You have been my right hand man throughout this entire process. I couldn't ask for a better friend to bounce ideas off of or to let me play "good cop" for once. To our Technical Director Ashley Gilroy, you have effectively led a huge new group of First Years to love FYP and you have created a space for this exciting show to come to life. To all of my Production Staff, your drive to continue to improve FYP is absolutely inspiring. Without you, we wouldn't have been able to host FYPhormal or have extremely successful fundraising events like the Kiss Me, Date Auction! Kyle Ruempler, the Pit Director, you have been amazing in every way, and integral to further incorporating Pit into active social members of FYP. Thank you for all of your help so that I can truly be a Pit Enthusiast. Many thanks go to our incredible Director, Theresa Pazanowski. You have put your heart and soul into this show, and your vision comes alive vividly on stage. However, your talents do not stop at directing. You exemplify a perfect passion for FYP and all that it represents—camaraderie, being who you are, and loving musical theatre. You have passed this passion to your casties and countless others in FYP, myself included. I am truly lucky to consider you my friend. Finally, to all the incredible people that make up the community that is FYP. We could not have put on this show without every single one of you.
First Year Players is built on people who truly care about the quality of the show we present at the end of every semester, and Kiss Me, Kate! is no exception. I am honored to be part of such a fine organization and a loving, welcoming community. Thank you all for coming to support FYP as we proudly present our Spring 2014 Production of Cole Porter’s Kiss Me, Kate! Enjoy the show!
-Katie Thompson