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Spring 2002: Kiss Me, Kate

 

Words by Samuel and Bella Spewack
Music and Lyrics by Cole Porter

The idea for Kiss Me, Kate was planted in the mind of producer Saint Subber in 1935. While working as a stagehand for the Theatre Guild's production of The Taming of the Shrew, Subber noticed that the stars of the show, Alfred Lunt and Lynn Fontanne, had a backstage relationship that was almost as tempestuous as the one they had onstage while portraying Shakespeare's famous quarelling couple.

Although veteran comedy writers Samuel and Bella Spewack had been separated for some time, they reunited to write the libretto for Kiss Me, Kate, and after the production, they chose to stay together permanently. Their libretto creates a play-within-a-play that follows the lives of egotistical actor-producer Fred Graham and his temperamental co-star and ex-wife, Lili Vanessi in a production of, Shakespeare's The Taming of the Shrew. Cole Porter's brilliant score borrows freely from Shakespeare's dialogue for lyrics in the musical numbers that take place "onstage" but makes use of more modern syntax in the "backstage" numbers.

 

Cast

 

Fred Graham/Petruchio

Lilli Vanessi/Katherine

Bill Calhoun/Lucentio

Lios Lane/Bianca

Samantha Mane Elizabeth Viti

Jules Fanucci

Hattie McDowell

Paul Botelis

Harrison Howell

Rose A. Peterson

Harry Trevor/Baptista

Emilio Montoya/Gremio

Roger Marshall/Hortensio

Charles King

Herodymus Babel

Jonathan Harper

Benito Santiago

Joey Ray Valentino

Daisy Fay

Zsa Zsa

Greta Gallespi

Piper Dolly Price

Celeste Chevalier

Marie Diamante

Bradley O'Connor

Sabra Star

 

Adam Segaller

Kate Roehr

David Pack

Stephanie Gepford

Rachel Bradshaw

Fang Du

Kristen Evans

Marios Charalambous

Will Oetgen

Kim Sirridge

David Rogge

Noah Goldenberg

Chris D'Angelo

Rex Alexander

Yoseph Choi

Tim Granlund

Ben Lovell

Jared Szafman

Molly Beilhart

Laura Bland

Ashley Blasland

Emily Decker

Abigail Pittman

Christina Princi

Cara Sinclair

Kelsey Staples

Pit

 

Musical Director

Bass

Violin

 

Viola

Guitar

Flute

Clarinet

Alto Saxaphone

Trombone

Bassoon

Keyboard

Piano

Drums

 

Alexandra Heatwole

Katie Dorfler

Sarah Marcus

Susie Dantzig

Amber Mariott

Andrew Leahey

Shannon Daddario

Su Yin Koh

Catherine Cockerham

Kyle Singleton

Emily Rockwood

Jami Gillis

Kait Dunton

Brian Spreng

Tech Staff

 

Technical Director

Assistant Technical Director

Assistant Technical Director

Assistant Technical Director

Set Designers

 

Lighting Designer

Scene Shop Foreman

Assistant Carpenter

Master Electrician

Assistant Electrician

Propmistress

Technical Director Emeritus

Run Crew

 

 

 

Technical Staff

 

Jennifer Clardy

Kathryn Bowman

Mike Megliola

Morgan Perkins

Rachel Walker

Mary Hamrick

Will Slusher

Tommy Rumley

James McCarter

Adrian Kao

JR Powers-Luhn

Rebecca Roberts

Lisa Filemyr

Doug Bateman

Dante Guanlao

Olivia Hessing

Matthew Schmidt

Scott Talbert

Michelle Beller

Jenn Cunningham

Zane Johnson

Stephanie Magin

Margaret Perschy

Robin Potochnik

Andy Spatz

 

Director

Assistant Director

Vocal Director

Assistant Vocal Director

Choreographer

Assistant Choreographer

Stage Manager

Stage Manager

Costume Designer

Assistant Costume Designer

Makeup Designers

 

Danny Grinberg

Danny Drachsler

Kelly Ramsey

Ben Bolling

Eileen Conaway

Kate Szuchy

Daria Khramtsova

Erin Fletcher Hall

Sarah Morrow

Gretchen Ward

Jennette Mullaney

Elizabeth Wilmer

Artistic Staff

Production Staff

 

Producer

Assistant Producer

Business Manager

Assistant Business Manager

Publicity Chairs

Fundraising Chair

Historian

Social Chairs

 

 

Publicity Staff

 

Lisa Filemyr

Jenny Chow

Annie Haas

Rex Alexander

Emily Swafford

Sam Nystrom

Lindsay Palmer

Logan Byers

Danny Grinberg

Davin Rosborough

Katy Gaul

Noah Goldenberg

Shane Liesegang

Alex Major

Amber Payne

Andy Spatz

Alexandra Valint

Director's Notes

I began as a lonely second grade novelist. I scribbled character sketches on the backs of cafeteria napkins and drew plot outlines in crayon during art class. As I ventured through elementary school, through Transformers lunchboxes and kickball afternoon, I continued to pursue my love on a box that would hardly be called a computer today.


I knew even then about the written word's power, how it could undulate under you skin and possess you. In high school I discovered how much impact it could truly have. I began spending afternoons in the theater, catch Broadway matinees or the latest avant-garde fare downtown. There, I was transformed from a solitary writer confined to his imagination and his bedroom walls to a playwright and a director who could literally see his words and images borne before him.

One reason I chose "Kiss Me, Kate" is because it recognizes and celebrates the vitality of the theater. It shows the backstage trials and tribulations of an ensemble as the overcome individual conflicts to create a piece of living, breathing art. It acknowledges that theater is a dangerous medium, rife with missed cues, forgotten lines, and divas in our midst. But every obstacle that I encountered as a director only reminded me that I was luck to find such a creative and difficult arena in which to learn.

What means even more is the community I have found. With FYP, I have met the most talented, incomparable people whom I'm proud to call live long friends. From the cast to staff to pit to tech to artistic staff, I have nothing bug deep gratitude and wonder for all of the sacrifices, generosity, and incredible effort you have all put forward over the last four months. I hope all of you shared equally valuable experiences, because this show would be nowhere without the unparalleled FYP ensemble you form.

Special thanks to my family for all their unflinching support, Sam Nystrom, Mike Trimble, Albert Camus, Davin Rosborough, Arthur Miller, David Rogge, Doug Grissom, and Danny Drachsler. Finally, I would like to dedicate these performances to the city that awakened my senses and taught me the essence of true love and theater, New York.

Danny Grinberg

Producer's Notes

I can't believe my last show with FYP is finally here. I have imagined this week since my first year. I can remember the Sunday night performance of Big River, for which I stage-managed. After the show, the forth years were sitting around crying, remembering their experiences with FYP. One of them said she wondered who among the first years would still be around for their forth year. Well, here we are. My time with First Year Players is almost over.


I have had the unique experience of being greatly involved in both the technical side and the artistic side of FYP. I started out solely in tech and now feel like I have a home everywhere in FYP. First Year Players has evolved from a collection of separate groups into one cohesive family. I am honored to have been a participant in such an amazing organization. Fort two weeks every semester, I move into the Student Activities Building. And it is there that I have found my family at UVA. We put so many hours into each show, and after a year of planning, a semester of rehearsals, and a week of frenzied building and painting, we have a show that we can be proud of.

Now it is my turn to wonder which of the current first years will be involved with FYP during their fourth. I hope that all of you will be. I have found a home in FYP, and I hope that you have too. Everyone in FYP should be extremely proud of all that you've accomplished. Each of you has contributed an integral part to this show and we could not have done it without you.

I cannot imagine my life without FYP. I never knew that most of what I learned in college would be outside of the classroom. I never knew that one group of people could change my so much. I am deeply honored to be your "Mom" and you will always be my family. I love you all so much!

Lisa Filemyr

 

Although this organization has members who are University of Virginia students and may have University employees associated or engaged in its activities and affairs, the organization is not a part of or an agency of the University. It is a separate and independent organization which is responsible for and manages its own activities and affairs. The University does not direct, supervise or control the organization and is not responsible for the organization’s contracts, acts or omissions

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