

Fall 1996: Joseph and the Amazing Technicolor Dreamcoat
Music By: Andrew Lloyd Webber
Lyrics by: Tim Rice
In 1968, a relatively unknown young composer named Andrew Lloyd Webber was commissioned by the head of music at a small prep school to write something for an end of term concert. Looking for ideas, he flipped through the Old Testament and came upon the story of Jacob and his many sons. The favorite son was Joseph, whom Jacob gave a coat of many colors. In their jealousy, the other brothers sought to dispose of the favorite. The trials and tribulations on both sides of the feud unfold, until it all ends in one big happy ending. The show went through many different versions, from the original 15-minute show to the 1991 London revival that was a two-act, two-hour version. The first big run of the show began in January 1982, and ran for 747 performances in the Royale Theater on Broadway.
Cast
Miriam Leonard
William Hatrick
Adam Jones
Tom Cottrill
Kelly Warnock
Jonathan Brandt
Joanna Gelfman
Alex Gitter
Jay Fenster
David Burnett
Amber Dickerson
Tricia Thomas
Maggie Jones
Nicole Mitzel
Hope Chandler
Nicholas Pelczar
John Kraljevich
Dylan Miller
Bryan Hsu
Winnie Jaimeson
Stephanie Timmons
Leona Clague
Beth Miller
Namita Kukreja
Jen Mahone
Lindsay Minnis
Annie McCormick
Audrey Toth
Amy Roussy
Brook Lewis
Marisa Escudero
Erica Forsch
Daphne Page
Winnie Jaimeson
Allison Tessier
Kari Footland
Jennifer Little
*=dance captain
Narrator
Joseph
Pharaoh
Potiphar
Potiphar's Wife
Reuben
Napthali
Levi
Benjamin
Simeon
Judah
Issacar
Asher
Zebulan
Dan*
Gad/Butler
Jacob/Baker
Ishmaelite/Servant
Ishmaelite/Servant
Ishmaelite/Servant
Dance Chorus
Dance Chorus
Dance Chorus*
Dance Chorus
Dance Chorus/Choir
Choir
Choir
Choir
Choir
Chorus
Chorus
Chorus
Chorus
Chorus
Chorus
Chorus
Chorus/Choir
Pit
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Technical Staff
Catherine Ruffin
Darby Kimball
Dave Perkinson
Blythe Waters
Ian Toner
Matt Heller
Dave Conlon
Dan Scott
Ann Marie Czaban
Sam Regal
Riss Breglio
Magda Pinkowski
Verona Cocks
Doug Bateman
Sarah Schwarm
Kate Van Dyck
April Weissman
Janet Wescott
Technical Director
Assistant Technical Director
Assistant Technical Director
Lighting Designer
Master Electrician
Assistant Electrician
Assistant Electrician
Assistant Electrician
Sound Technician
Sound Assistant
Scenic Artist
Assistant Scenic Artist
Properties Mistress
Technical Crew
Technical Crew
Technical Crew
Technical Crew
Technical Crew
Artistic Staff
Blythe Waters
Hannah Dodd
Kate Stephans
Ali Williams
Mark Morgan
Christopher Holly
Sara Stovall
Melissa Dawn Bryant
Emily Heil
Katie Walters
Katie Kee
Katie Wanschura
Director
Assistant Director
Production Stage Manager
Assistant Stage Manager
Musical Director
Vocal Director
Assistant Vocal Director
Choreographer
Dance Assistant
Costume Designer
Costume Assistant
Costume Assistant
Production Staff
Producer
Assistant Producer
Business Manager
Assistant Business Manager
Publicity Chair
Fundraising Chair
Social Chair
Historian
Brian Rosman
Mitchell J. Frank
Brian Kraft
Katie Brown
Tai Burkholder
Tracy Sykes
Amy Rogers
Jonathan Rodney
Director's Notes
All paths lead to the same goal: to convey to others what we are. And we must pass through the solitude and difficulty, isolation and silence, in order to reach forth to the enchanted place where we can dance our clumsy dance and sing our sorrowful song -- but in this dance or in this song, there are fulfilled the most ancient rites of our conscience in the awareness of being human and of believing in a common destiny.
--Pablo Neruda, "Toward the Splendid City"
These are the words that Pablo Neruda addressed to the world upon receiving the Nobel Prize in 1971, but they are also words that my best friend shared with me when we were far apart our first year of college. I think, perhaps, that Andrew Lloyd Webber would like them.
You might think that this show is about the bible story, Jacob and the twelve sons of Israel, that is after all, what the title would seem to indicate. But, Joseph is really the story of what happens when a bible story is introduced to the fantasy world of Andrew Lloyd Webber. Joseph is Lloyd Webber's dream, but it is also the Narrator's dream, Joseph's dream, my dream, and most certainly the cast's dream.
While Joseph and the Amazing Technicolor Dreamcoat began as a children's show, it has seen Broadway many times. It has grown and changed throughout the years, but its message has remained the same: We all dream a lot -- some are lucky, some are not. But if you think it, want it, dream it, then it's real. You are what you feel.
I hope you enjoy our dreams as we share them this evening. Join us in dancing our clumsy dance and singing our sorrowful song; letting your imagination run free is a wonderful thing.
I would like to dedicate this show to my family, who first encouraged me to dream and then gave me the strength and insight to make my dreams real, as well as the friends who have taught me so much about grace, strength, and dreaming: Tricia Andrews, Emily Resnick, Mary Elizabeth Alvarez, Johan Jolley, Morry Safer, and Adrian Greene.
Special thanks go to my apartmentmates for keeping me sane, my artistic staff for being incredibly talented, the cast for their hard work, the FYP staff for making this happen, and my grandmother who always told me dreams could come true.
Blythe Waters