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Fall 1996: Joseph and the Amazing Technicolor Dreamcoat

 

Music By: Andrew Lloyd Webber
Lyrics by: Tim Rice

In 1968, a relatively unknown young composer named Andrew Lloyd Webber was commissioned by the head of music at a small prep school to write something for an end of term concert. Looking for ideas, he flipped through the Old Testament and came upon the story of Jacob and his many sons. The favorite son was Joseph, whom Jacob gave a coat of many colors. In their jealousy, the other brothers sought to dispose of the favorite. The trials and tribulations on both sides of the feud unfold, until it all ends in one big happy ending. The show went through many different versions, from the original 15-minute show to the 1991 London revival that was a two-act, two-hour version. The first big run of the show began in January 1982, and ran for 747 performances in the Royale Theater on Broadway.

Cast

Miriam Leonard

William Hatrick

Adam Jones

Tom Cottrill

Kelly Warnock

Jonathan Brandt

Joanna Gelfman

Alex Gitter

Jay Fenster

David Burnett

Amber Dickerson

Tricia Thomas

Maggie Jones

Nicole Mitzel

Hope Chandler

Nicholas Pelczar

John Kraljevich

Dylan Miller

Bryan Hsu

Winnie Jaimeson

Stephanie Timmons

Leona Clague

Beth Miller

Namita Kukreja

Jen Mahone

Lindsay Minnis

Annie McCormick

Audrey Toth

Amy Roussy

Brook Lewis

Marisa Escudero

Erica Forsch

Daphne Page

Winnie Jaimeson

Allison Tessier

Kari Footland

Jennifer Little

*=dance captain

Narrator

Joseph

Pharaoh

Potiphar

Potiphar's Wife

Reuben

Napthali

Levi

Benjamin

Simeon

Judah

Issacar

Asher

Zebulan

Dan*

Gad/Butler

Jacob/Baker

Ishmaelite/Servant

Ishmaelite/Servant

Ishmaelite/Servant

Dance Chorus

Dance Chorus

Dance Chorus*

Dance Chorus

Dance Chorus/Choir

Choir

Choir

Choir

Choir

Chorus

Chorus

Chorus

Chorus

Chorus

Chorus

Chorus

Chorus/Choir

Pit

We're sorry. This information is currently unavailable.

Technical Staff

Catherine Ruffin

Darby Kimball

Dave Perkinson

Blythe Waters

Ian Toner

Matt Heller

Dave Conlon

Dan Scott

Ann Marie Czaban

Sam Regal

Riss Breglio

Magda Pinkowski

Verona Cocks

Doug Bateman

Sarah Schwarm

Kate Van Dyck

April Weissman

Janet Wescott

Technical Director

Assistant Technical Director

Assistant Technical Director

Lighting Designer

Master Electrician

Assistant Electrician

Assistant Electrician

Assistant Electrician

Sound Technician

Sound Assistant

Scenic Artist

Assistant Scenic Artist

Properties Mistress

Technical Crew

Technical Crew

Technical Crew

Technical Crew

Technical Crew

Artistic Staff

Blythe Waters

Hannah Dodd

Kate Stephans

Ali Williams

Mark Morgan

Christopher Holly

Sara Stovall

Melissa Dawn Bryant

Emily Heil

Katie Walters

Katie Kee

Katie Wanschura

Director

Assistant Director

Production Stage Manager

Assistant Stage Manager

Musical Director

Vocal Director

Assistant Vocal Director

Choreographer

Dance Assistant

Costume Designer

Costume Assistant

Costume Assistant

Production Staff

 

Producer

Assistant Producer

Business Manager

Assistant Business Manager

Publicity Chair

Fundraising Chair

Social Chair

Historian

 

Brian Rosman

Mitchell J. Frank

Brian Kraft

Katie Brown

Tai Burkholder

Tracy Sykes

Amy Rogers

Jonathan Rodney

Director's Notes

All paths lead to the same goal: to convey to others what we are. And we must pass through the solitude and difficulty, isolation and silence, in order to reach forth to the enchanted place where we can dance our clumsy dance and sing our sorrowful song -- but in this dance or in this song, there are fulfilled the most ancient rites of our conscience in the awareness of being human and of believing in a common destiny.
--Pablo Neruda, "Toward the Splendid City"

These are the words that Pablo Neruda addressed to the world upon receiving the Nobel Prize in 1971, but they are also words that my best friend shared with me when we were far apart our first year of college. I think, perhaps, that Andrew Lloyd Webber would like them.

You might think that this show is about the bible story, Jacob and the twelve sons of Israel, that is after all, what the title would seem to indicate. But, Joseph is really the story of what happens when a bible story is introduced to the fantasy world of Andrew Lloyd Webber. Joseph is Lloyd Webber's dream, but it is also the Narrator's dream, Joseph's dream, my dream, and most certainly the cast's dream.

While Joseph and the Amazing Technicolor Dreamcoat began as a children's show, it has seen Broadway many times. It has grown and changed throughout the years, but its message has remained the same: We all dream a lot -- some are lucky, some are not. But if you think it, want it, dream it, then it's real. You are what you feel.

I hope you enjoy our dreams as we share them this evening. Join us in dancing our clumsy dance and singing our sorrowful song; letting your imagination run free is a wonderful thing.

I would like to dedicate this show to my family, who first encouraged me to dream and then gave me the strength and insight to make my dreams real, as well as the friends who have taught me so much about grace, strength, and dreaming: Tricia Andrews, Emily Resnick, Mary Elizabeth Alvarez, Johan Jolley, Morry Safer, and Adrian Greene.

Special thanks go to my apartmentmates for keeping me sane, my artistic staff for being incredibly talented, the cast for their hard work, the FYP staff for making this happen, and my grandmother who always told me dreams could come true.

Blythe Waters

 

Although this organization has members who are University of Virginia students and may have University employees associated or engaged in its activities and affairs, the organization is not a part of or an agency of the University. It is a separate and independent organization which is responsible for and manages its own activities and affairs. The University does not direct, supervise or control the organization and is not responsible for the organization’s contracts, acts or omissions

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