

Spring 2006: Fiddler on the Roof
Music by Jerry Bock, Lyrics by Sheldon Harnick, Book by Joseph Stein
The story of love, devotion and defiance in a poor Jewish family in Czarist Russia, Fiddler on the Roof won nine Tony Awards, including best musical, best composer and best choreography. Performed thousands of times worldwide since 1964, Fiddler on the Roof contains very well-known songs such as "Matchmaker, Matchmaker," "If I Were a Rich Man," and "Sunrise, Sunset." The story centers around Tevye, an impoverished Jewish milkman, and his five unmarried daughters in the village of Anatevka, Russia. It traces his daughters' coming of age as the oldest daughters fall in love and break with traditional ideas of courtship. Tevye's devotion to tradition is shattered by a changing world and the persecution he faces as a Jew.Fiddler is a classic story of the struggle between tradition and the power of love.
Chava
Hodel
Fruma-Sarah, Villager
The Constable
Fyedka, Russian Soloist, Villager
Shaindel
Colin Cox
The Fiddler, Villager
The Rabbi
Nachum
Russian Posse Dancer, Villager
Mendel
Golde
Russian Posse Dancer, Villager
Tzietel
Bielke
Tevye
Shprintze
Motel
Yente
Perchik
Sasha, Russian Posse Dancer
Russian Posse Dancer, Villager
Mordcha
Lazar Wolf
Russian Posse Dancer, Villager
Russian Posse Dancer, Villager
Grandma Tzeitel, Villager
Elizabeth Baxa
Mary Becica
Suzanne Casey
Kai Chang
Ryan Cleary
Kathryn Connors
Avram
Sara Dougadir
Caleb Erikson
Graham Evans
Rhiannon Franck
Harrison Gibbons
Sarah Gulotta
Tory Hanabury
Emily Hobgood
Lee Kelly
Ranjan Khan
Meghan Knoll
Jason Kobielus
Juli Kreko
DJ Lick
Matthew Lukens
Maria McCall
Jake Pasko
Adam Smith
Monica Talley
Jia Tolentino
Liz Zipperle
Cast
Pit
Music Director
Piano
Piano/Accordion
Trumpet 1
Trumpet 2
Horn
Clarinet
Violin
Bass
Percussion
Trombone
Flute/Piccolo
Cello
English Horn/Oboe 2
James Villarrubia
Claire Hedgespeth
Sam Zhao
Sean Edington
Ben Holmes
Natalie Wilson
Bryan Myers
Lauren Lee
Lisa Dunham
Eric Kolenich
Teri Leventhall
Suzie Wright
Amy McKean
Joseph Hodge
Tech Staff
Technical Director
Asst. Technical Director
Asst. Technical Director
Asst. Technical Director
Set Designer
Lighting Designer
Asst. Lighting Designer
Co-Props Mistress
Co-Props Mistress
Co-Carpenter
Co-Carpenter
Sound Designer
Co-Sound Manager
Co-Sound Manager
Master Electrician
Asst. Electrician
Co-Costumer
Co-Costumer
Co-Hair/Make-up Designer
Co-Hair/Make-up Designer
Painter
Painter
Painter
Run Crew Chief
Run Crew Chief
Technical Crew
Technical Crew
Technical Crew
Technical Crew
Technical Crew
Technical Crew
Technical Crew
Technical Crew
Technical Crew
Technical Crew
Technical Crew
Technical Crew
Technical Crew
Technical Crew
Technical Crew
Technical Crew
Technical Crew
Technical Crew
Technical Crew
Technical Crew
Technical Crew
Technical Crew
Technical Crew
Technical Crew
Technical Crew
Technical Crew
Costume Crew
Costume Crew
Costume Crew
Costume Crew
Costume Crew
Emily Riggs
Laura Beauchesne
Chris Shuptrine
Nicole Fields
Kyle Sefton
Kim Steimel
Wes Young
Joey Romero
Janice Reade
McKenna Cox
James Villarrubia
A.J. Johnson
Tamira Roberson
Hadley Persona
Katherine Pfister
Laura Harris
Tiffany Fowler
Jessie Lawler
Kate Welch
Leslie Moser
Catalina Cecchi
Stephanie Maksymiuk
Sasha Theroux
Jamie Coupar
Sarah Morgan
Matt Baer
Jimmy Bishop
Javier Cabezas
Annie Cardi
Kristina Caudle
Danny Dean
Christi Gavis
Claire Hedgespeth
Rebecca Koslover
Rami Maarouf
Libby Majette
Teresa Tung
Suzie Wright
Steph Maksymiuk
Sung Min Lee
Julia Moonves
Kelsey Mosley
Kate Resta
Jennelle Root
Sarah Rosenthal
Sean Rowan
Will Slusher
David Soloman
Andy Spatz
Teresa Wood
Courtney Stafford-Walter
Miles Morrison
Leah Bernick
Lexi Whitman
Serena Bolliger
Whitney Jones
Director
Assistant Director
Assistant Director
Choreographer
Asst. Choreographer
Asst. Choreographer
Asst. Choreographer
Vocal Director
Asst. Vocal Director
Capt of the Pit
Vocal Accompanist
Vocal Accompanist
Morgan Whitaker
Matt Baer
John Rogers
Horace Ballard
Rachel Gendreau
Kitt Healy
Leah Meadows
Chat Hull
Lauren Koumbis
James Villarrubia
Claire Hedgespeth
Sam Zhao
Artistic Staff
Production Staff
Producer
Asst. Producer
Business Manager
Asst. Business Manager
Technical Director
Stage Manager
Stage Manager
Fundraising Chair
Publicity Chair
Publicity Chair
Publicity Chair
Social Chair
Social Chair
Social Chair
Historian
Historian
Caitlan Smith
Brenna Lynch
Nicole Domanski
Jill Cockerham
Emily Riggs
Erin Heath
Michelle O'Malley
A.J. Johnson
Javier Cabezas
Julia Moonves
Josh Rachford
Matthew McFadden
Vincent Mendiola
Gavin Schmidt
Kevin Knickerbocker
Jamie McCelland
Director's Notes
At first glance, the village of Anatevka you see tonight may seem nothing like the town or city in which you live. Most of us do not suffer as much, nor do we marvel at sewing machines nor scoff at the idea of marrying for love. However, upon closer inspection, one can find a number of aspects of Anatevka that bear significant resemblance to the University, Charlottesville, and many other communities around the world.
UVA, after all, is a community entrenched in its traditions. And while we might be more prone to streaking the lawn than keeping our heads covered, these traditions afford us a bond that connects us to those who came before and those still to come. By following them we create the community in which we all find comfort, just like Tevye and the rest Anatevka.
However, our similarities extend beyond our adherence to tradition. Sadly enough, racial hostility, religious intolerance, and self-segregation of many kinds still exist to varying degrees in communities near and far. On behalf of the rest of the cast and staff, I encourage you to compare this story to your own experiences and see where those thoughts take you. It was my desire to encourage reflection on these topics that first inspired me to propose this show, but it was the talent and unflappable work ethic of so many that made it all possible. On a personal note, I must thank my parents for their support and for listening to me talk about the show nonstop for these past months.
But there are many other people to whom I owe thanks. To the artistic staff: each of you has played such an integral role in this process. I have such admiration for all of you, and have come to consider you some of my best friends. To the cast: you are such gifted performers. It has truly been a pleasure to work with each and every one of you. You will all undoubtedly accomplish a great deal during the rest of your time here, and I already regret that I won’t be around to see most of it. To the pit: I am in awe of your skills. Without you this show wouldn’t be as moving as it is. I cannot thank you enough. To the production staff: the work you do is never glamorous and rarely properly appreciated, but I am immensely grateful for everything you do. You constitute the core of this wonderful organization.
And lastly, to the tech staff: I barely know where to start. FYP tech has been my home at UVA since my very first semester. I could not have asked for a better group of people to saw, sew, and sweat with year after year. Because of your efforts these first year players are brighter, louder and better supported as they tell stories that both entertain and inspire. If I have learned anything in the eight shows I’ve worked on it is this: no one in this organization should ever doubt the importance of the role they play. I have been blessed to be a part of it. I will miss you all too much to think about. From the bottom of my heart, thank you.
--Morgan Whitaker, Director
Producer's Notes
Recently, in one of my classes, a professor spoke about the pivotal role of ritual in anchoring an individual in a community. As you will shortly see in this production’s first number – “Tradition” – ritual defines life in the shtetl of Anatevka, dictating the covering on your head, the prayers you say, and the person you marry. However, tradition does not only center and bring together the citizens of Anatevka. As each of us leaves home and begins our years at the dear old U.Va., every student is – in one way or another – unanchored. We leave all the “villages” we have known for eighteen years and enter an unknown world. For the lucky ones, we happen upon the University’s oldest student-run theater group, full of odd traditions of its own. Here, when we masochistically get up early for Bodo’s bagels on Monday morning, write “’hoos still up?” emails to the “collective,” go to tech coffee, laugh through Saturday rehearsals with the pit, stay up all night focusing lights, and raise Ishy to the rafters each and every performance, we aren’t just executing the rituals of this organization, we aren’t just executing the rituals of this organization, we are establishing ourselves in this community, creating a new village for each of us, young and old, to call home.
Tonight, you are going to witness the product of our own little shtetl. The immense energy you will see on stage is not only a product of our cast members but also of the entire organization – artistic, technical, and musical. We have the energy to create this immense project (and one like it every semester), because we believe in our 26 year-old traditions and, due to this, we believe in each other. I have believed in this organization and its dual mission of producing quality theatre and fostering lasting friendships from the first time sang “FYP is fun and not scary” during warm-ups of auditions for Joseph…Dreamcoat my first year, and I have never turned back. To you, the audience, welcome to our “village” and the product of our traditions, and I am proud to present our production of Fiddler on the Roof. Enjoy!
--Caitlan Smith