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Spring 2006: Fiddler on the Roof

 

Music by Jerry Bock, Lyrics by Sheldon Harnick, Book by Joseph Stein

The story of love, devotion and defiance in a poor Jewish family in Czarist Russia, Fiddler on the Roof won nine Tony Awards, including best musical, best composer and best choreography. Performed thousands of times worldwide since 1964, Fiddler on the Roof contains very well-known songs such as "Matchmaker, Matchmaker," "If I Were a Rich Man," and "Sunrise, Sunset." The story centers around Tevye, an impoverished Jewish milkman, and his five unmarried daughters in the village of Anatevka, Russia. It traces his daughters' coming of age as the oldest daughters fall in love and break with traditional ideas of courtship. Tevye's devotion to tradition is shattered by a changing world and the persecution he faces as a Jew.Fiddler is a classic story of the struggle between tradition and the power of love.

 

 

 

Chava

Hodel

Fruma-Sarah, Villager

The Constable

Fyedka, Russian Soloist, Villager

Shaindel

Colin Cox

The Fiddler, Villager

The Rabbi

Nachum

Russian Posse Dancer, Villager

Mendel

Golde

Russian Posse Dancer, Villager

Tzietel

Bielke

Tevye

Shprintze

Motel

Yente

Perchik

Sasha, Russian Posse Dancer

Russian Posse Dancer, Villager

Mordcha

Lazar Wolf

Russian Posse Dancer, Villager

Russian Posse Dancer, Villager

Grandma Tzeitel, Villager

 

 

Elizabeth Baxa

Mary Becica

Suzanne Casey

Kai Chang

Ryan Cleary

 

Kathryn Connors

Avram

Sara Dougadir

Caleb Erikson

Graham Evans

Rhiannon Franck

 

Harrison Gibbons

Sarah Gulotta

Tory Hanabury

 

Emily Hobgood

Lee Kelly

Ranjan Khan

Meghan Knoll

Jason Kobielus

Juli Kreko

DJ Lick

Matthew Lukens

 

Maria McCall

 

Jake Pasko

Adam Smith

Monica Talley

 

Jia Tolentino

 

Liz Zipperle

Cast

Pit

Music Director

Piano

Piano/Accordion

Trumpet 1

Trumpet 2

Horn

Clarinet

Violin

Bass

Percussion

Trombone

Flute/Piccolo

Cello

English Horn/Oboe 2

James Villarrubia

Claire Hedgespeth

Sam Zhao

Sean Edington

Ben Holmes

Natalie Wilson

Bryan Myers

Lauren Lee

Lisa Dunham

Eric Kolenich

Teri Leventhall

Suzie Wright

Amy McKean

Joseph Hodge

Tech Staff

 

Technical Director

Asst. Technical Director

Asst. Technical Director

Asst. Technical Director

Set Designer

Lighting Designer

Asst. Lighting Designer

Co-Props Mistress

Co-Props Mistress

Co-Carpenter

Co-Carpenter

Sound Designer

Co-Sound Manager

Co-Sound Manager

Master Electrician

Asst. Electrician

Co-Costumer

Co-Costumer

Co-Hair/Make-up Designer

Co-Hair/Make-up Designer

Painter

Painter

Painter

Run Crew Chief

Run Crew Chief

Technical Crew

Technical Crew

Technical Crew

Technical Crew

Technical Crew

Technical Crew

Technical Crew

Technical Crew

Technical Crew

Technical Crew

Technical Crew

Technical Crew

Technical Crew

Technical Crew

Technical Crew

Technical Crew

Technical Crew

Technical Crew

Technical Crew

Technical Crew

Technical Crew

Technical Crew

Technical Crew

Technical Crew

Technical Crew

Technical Crew

Costume Crew

Costume Crew

Costume Crew

Costume Crew

Costume Crew

 

Emily Riggs

Laura Beauchesne

Chris Shuptrine

Nicole Fields

Kyle Sefton

Kim Steimel

Wes Young

Joey Romero

Janice Reade

McKenna Cox

James Villarrubia

A.J. Johnson

Tamira Roberson

Hadley Persona

Katherine Pfister

Laura Harris

Tiffany Fowler

Jessie Lawler

Kate Welch

 

Leslie Moser

 

Catalina Cecchi

Stephanie Maksymiuk

Sasha Theroux

Jamie Coupar

Sarah Morgan

Matt Baer

Jimmy Bishop

Javier Cabezas

Annie Cardi

Kristina Caudle

Danny Dean

Christi Gavis

Claire Hedgespeth

Rebecca Koslover

Rami Maarouf

Libby Majette

Teresa Tung

Suzie Wright

Steph Maksymiuk

Sung Min Lee

Julia Moonves

Kelsey Mosley

Kate Resta

Jennelle Root

Sarah Rosenthal

Sean Rowan

Will Slusher

David Soloman

Andy Spatz

Teresa Wood

Courtney Stafford-Walter

Miles Morrison

Leah Bernick

Lexi Whitman

Serena Bolliger

Whitney Jones

 

Director

Assistant Director

Assistant Director

Choreographer

Asst. Choreographer

Asst. Choreographer

Asst. Choreographer

Vocal Director

Asst. Vocal Director

Capt of the Pit

Vocal Accompanist

Vocal Accompanist

 

 

Morgan Whitaker

Matt Baer

John Rogers

Horace Ballard

Rachel Gendreau

Kitt Healy

Leah Meadows

Chat Hull

Lauren Koumbis

James Villarrubia

Claire Hedgespeth

Sam Zhao

Artistic Staff

Production Staff

 

Producer

Asst. Producer

Business Manager

Asst. Business Manager

Technical Director

Stage Manager

Stage Manager

Fundraising Chair

Publicity Chair

Publicity Chair

Publicity Chair

Social Chair

Social Chair

Social Chair

Historian

Historian

 

Caitlan Smith

Brenna Lynch

Nicole Domanski

Jill Cockerham

Emily Riggs

Erin Heath

Michelle O'Malley

A.J. Johnson

Javier Cabezas

Julia Moonves

Josh Rachford

Matthew McFadden

Vincent Mendiola

Gavin Schmidt

Kevin Knickerbocker

Jamie McCelland

Director's Notes

At first glance, the village of Anatevka you see tonight may seem nothing like the town or city in which you live. Most of us do not suffer as much, nor do we marvel at sewing machines nor scoff at the idea of marrying for love. However, upon closer inspection, one can find a number of aspects of Anatevka that bear significant resemblance to the University, Charlottesville, and many other communities around the world.

UVA, after all, is a community entrenched in its traditions. And while we might be more prone to streaking the lawn than keeping our heads covered, these traditions afford us a bond that connects us to those who came before and those still to come. By following them we create the community in which we all find comfort, just like Tevye and the rest Anatevka.

However, our similarities extend beyond our adherence to tradition. Sadly enough, racial hostility, religious intolerance, and self-segregation of many kinds still exist to varying degrees in communities near and far. On behalf of the rest of the cast and staff, I encourage you to compare this story to your own experiences and see where those thoughts take you. It was my desire to encourage reflection on these topics that first inspired me to propose this show, but it was the talent and unflappable work ethic of so many that made it all possible. On a personal note, I must thank my parents for their support and for listening to me talk about the show nonstop for these past months.

But there are many other people to whom I owe thanks. To the artistic staff: each of you has played such an integral role in this process. I have such admiration for all of you, and have come to consider you some of my best friends. To the cast: you are such gifted performers. It has truly been a pleasure to work with each and every one of you. You will all undoubtedly accomplish a great deal during the rest of your time here, and I already regret that I won’t be around to see most of it. To the pit: I am in awe of your skills. Without you this show wouldn’t be as moving as it is. I cannot thank you enough. To the production staff: the work you do is never glamorous and rarely properly appreciated, but I am immensely grateful for everything you do. You constitute the core of this wonderful organization. 

And lastly, to the tech staff: I barely know where to start. FYP tech has been my home at UVA since my very first semester. I could not have asked for a better group of people to saw, sew, and sweat with year after year. Because of your efforts these first year players are brighter, louder and better supported as they tell stories that both entertain and inspire. If I have learned anything in the eight shows I’ve worked on it is this: no one in this organization should ever doubt the importance of the role they play. I have been blessed to be a part of it. I will miss you all too much to think about. From the bottom of my heart, thank you.
--Morgan Whitaker, Director

Producer's Notes

Recently, in one of my classes, a professor spoke about the pivotal role of ritual in anchoring an individual in a community. As you will shortly see in this production’s first number – “Tradition” – ritual defines life in the shtetl of Anatevka, dictating the covering on your head, the prayers you say, and the person you marry. However, tradition does not only center and bring together the citizens of Anatevka. As each of us leaves home and begins our years at the dear old U.Va., every student is – in one way or another – unanchored. We leave all the “villages” we have known for eighteen years and enter an unknown world. For the lucky ones, we happen upon the University’s oldest student-run theater group, full of odd traditions of its own. Here, when we masochistically get up early for Bodo’s bagels on Monday morning, write “’hoos still up?” emails to the “collective,” go to tech coffee, laugh through Saturday rehearsals with the pit, stay up all night focusing lights, and raise Ishy to the rafters each and every performance, we aren’t just executing the rituals of this organization, we aren’t just executing the rituals of this organization, we are establishing ourselves in this community, creating a new village for each of us, young and old, to call home.

Tonight, you are going to witness the product of our own little shtetl. The immense energy you will see on stage is not only a product of our cast members but also of the entire organization – artistic, technical, and musical. We have the energy to create this immense project (and one like it every semester), because we believe in our 26 year-old traditions and, due to this, we believe in each other. I have believed in this organization and its dual mission of producing quality theatre and fostering lasting friendships from the first time sang “FYP is fun and not scary” during warm-ups of auditions for Joseph…Dreamcoat my first year, and I have never turned back. To you, the audience, welcome to our “village” and the product of our traditions, and I am proud to present our production of Fiddler on the Roof. Enjoy!
--Caitlan Smith

 

Although this organization has members who are University of Virginia students and may have University employees associated or engaged in its activities and affairs, the organization is not a part of or an agency of the University. It is a separate and independent organization which is responsible for and manages its own activities and affairs. The University does not direct, supervise or control the organization and is not responsible for the organization’s contracts, acts or omissions

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